The blues in Bb is very common in Jazz. The 12-bar Blues form is expanded with characteristic substitution-chords, which are explained in detail here. Very important is the minor-major phenomenon, which we will discuss thoroughly. Afterward, we'll play through the Blues using intervals. Following an introduction to easy-to-play four-note chords, we'll move on to a long, rich-sounding, yet technically easy-to-master solo. Learn and analyze it and benefit from it!
Level
Easy peasy
Lessons
8 Lessons | min
Lesson 1Introduction
Duration: min
Let me introduce you to the topics covered in the course "Easy Blues".
Lesson 2Blues-Blues vs. Jazz-Blues
Duration: min
The standard "Blues-Blues" consists of only three seventh chords, while Jazz Blues features characteristic substitutions, which I will explain in detail here.
Lesson 3Minor-Major phenomenon, pt. 1
Duration: min
While a Bb major triad can be played on top of Bb7, a Bb minor triad can be played on top of Eb7, because the upper structure of Eb9 consists of the triad notes of Bb minor. We can use this in Blues, and it sounds great!
Lesson 4Minor-Major phenomenon, pt. 2
Duration: min
Here I'll show you the minor-major phenomenon on the D, G, and B strings.
Lesson 5Intervals, pt. 1
Duration: min
With sixth intervals, you can improvise beautiful, simple, yet exciting-sounding figures.
Lesson 6Intervals, pt. 2
Duration: min
Here we play these intervals on the D, G, and B strings.
Lesson 7Four-Note Chords
Duration: min
Dm7b5 is the upper structure of Bb9, but also of E7#5b9. This insight can take you through the blues with very advanced sounds, without you having to contort your fingers, because it often only involves shifts using the same fingering pattern.
Lesson 8The Big Solo
Duration: min
You should not only practice this long and expressive solo, but also analyze it. All the concepts explained here are put into practice. Have fun!
